May I be taken swiftly
Avoiding appurtenances
Of profitable compassion
Perhaps, collapse lifeless among
Tomatoes and dahlias,
Impaled upon the joy of my work
-Wayne H. Swanger
North/South brings Poets and Artists together to further encourage Poetry and the Arts in the Appalachian region and supports Reconnecting McDowell. For electronic/print publication information contact nosoappalachia@gmail.com
May I be taken swiftly
Avoiding appurtenances
Of profitable compassion
Perhaps, collapse lifeless among
Tomatoes and dahlias,
Impaled upon the joy of my work
-Wayne H. Swanger
By Ramey Channell
All through that passionate summer,
with our intemperate sun
burning and beckoning,
your face remained the face of a child,
still dreaming dreams of childhood
as you played beneath summer trees.
Then, like changing leaves and seasons,
so quickly you became
what you had not been.
Climbing skyward into the mass of gold and red,
you left behind familiar earth and dreams,
seeking higher, newer things.
I watched the sudden change as you,
bewitched by one cool breeze,
balanced in a world
I had forgotten many autumns before.
Now, with your new cool and careless face before me,
I am haunted by memories of golden trees.
Published in Ordinary and Sacred as Blood: Alabama Women Speak, 1999, River’s Edge Publishing
By Ramey Channell
I grow weary of poetry
when I see the way the end will be:
a slight stuttering of the universe,
a quiet pause, then undefined eternity.
A small light,
then, uncharted night,
and a few angels wafting.
I grow inquisitive and loosely buoyant
when I think of angels wafting.
What they do and why they do it
is celestial and mostly mystery.
All I know
is dig a hole, plant a seed,
and watch for miracles.
By Ramey Channell
The road from Mama’s house snakes down the mountain,
narrow and black, tar-fragrant under heavy summer sun.
Alabama sun beats down like judgment, but also blesses;
beatitudes resound beside the road where blackberries glow
like fat black juicy bits of down-to-earth Heaven.
Voices singing Hallelujah! from the bushes;
loud whirring mechanical heartbeat of insect chorus;
katydids, hot and happy Hallelujah chanting,
till the air runs over with too much sound;
the world runs over with too much joy.
Mountain voodoo blackberry joy!
Katydid chanting Hallelujah joy!
The narrow black road snakes down the blessed mountain,
cutting right through the middle of hotter-than-hell Paradise,
like a keen heavy knife, a gleaming two-edged sword,
plunging clean and deep, down to the pulsing center,
of a humid, sugar-sweet blackberry pie.
And I stand beside that road, enchanted, heat-dazed, fingers poised
above the fruit of hot summer katydid Hallelujah Heaven,
motionless, enraptured, listening to another sound.
Deep in sacred shade, under heavy bushes of Paradise lost,
He sings, He rattles: dusty sound like pebbles roiling in a tin can.
Voodoo mountain blackberry joy!
Rattle and snap Hallelujah joy!
And He sings of blackberries from the beginning of time,
and the many blessings of summer, sun, and shade.
Glassy sharp obsidian blade of rattling sound,
cutting through the sultry heat and heartbeat, down to the quick;
He lays claim to bushes, shade, sunshine, earth and Heaven.
Alabama sun beats down like judgment, but also blesses;
hasty beatitudes back up the magic mountain road,
away from the bushes of Paradise and the lust of the berries.
Those who have ears, let them hear: Hallelujah!
And those who have blackberry mountain voodoo joy,
Let them rattle, rattle, blackberry joy!
Blackberry voodoo Hallelujah joy!
An out of sorted knight
some way rides into a
tumbling zig saw puzzle wall
upending the beginning he craved.
He finds what he didn’t know
he was looking for;
his questions answered
he didn’t think to ask.
In bum fuzzled flux, he
barely balances on his steed’s two legs,
his own armored feet dangle out of stirrups.
Never the less, the knight hovers almost fearlessly
on the matte plateau, only moving forward laboriously,
searching for righted-ness.
Although angled into it now
the desperate upside-down knight’s
head swims in thumping blood
coursing through his helmet
until a new kind of experience suggests itself.
Deciding to take the path with heart,
the knight’s saddle mysteriously straightens,
his feet discover the dangling stirrups,
and the earth shifts back right side up
And then, opens up to new possibilities.
-Susan H. Evans
By Charles A. Perrone
The solidity and concretude
of this frigid block of material
prompts me to ponder
the liquidity and lightness
of this aerial being of flakes
each intricate and distinct
from the next and all others
designed to make me think
of an ethereal alternative
to the prescribed dosage.
Larry Thatcher
And smoke. There’s always that smoke
down the lane. Waiting, it seems. I go to work
as town wakes up. As someone’s pitching
split oak and maple into the hungered blazing mouth
of a brick oven at the local pizza joint.
Something windless holds chimney smoke
at the intersection.
Waits for me. I drive up, dividing,
sweeping the scent into curls before seeing it,
taken back to flashes of campfires, realizing
where I am along my morning journey,
as the red light grows into green.
Smoke rises on the early ridges of mountains
south of town today. A prescribed fire,
to keep the easily agitated highland spirits of the Cherokee
National Forest satisfied with a wide birth of smudging.
If it was up to me, we’d all line up before the fire.
Find our own cleansing.
The morning is haze-tinted. The snowy gray of clouds.
The patterned bits of red and pink yet burnt away,
wanting singed off like early work from our minds.
Visions of what’s always asleep in the layered forest floor,
dangerous enough to need
annihilation, prescription.
Do we keep enough stores along our ridges,
dry goods dragged up safe out of the deadwood valleys
to the rocky tops,
thoughtful of sight-to-sight peaks
we’ll set afire when words are needed in the sky
for the world to know we’re in trouble again?
But does anyone really watch anymore? In their sleep.
Can they distinguish between the dangerous fires
of the world and the even more dangerous fires
of dreams?
Who watches? Whether they believe
or not? Are there watchers still in the world?
It was a day for ghosts.
Fog hanging in the air,
a mist that never turned
to rain. Leaves slick
as ice and the ground
underneath in a surface
thaw making walking
tricky. I saw plenty,
all deer no parents
or grandparents or family
stretching back to my
beginnings. Only deer,
the ones who couldn’t leave
the woods, the weather:
peripheral visions disappeared
in each step, each pause,
each pawing. Each head bob.
I wondered if that was the kind
of ghost I’d be, the one unable
to leave, the one so in love
with here that eternity means
nothing, some promise land
a fragment of slivered eyes
unable to see why no one,
once here, would want to leave
like the deer I saw all day
while I hunted the living deer
of which I saw none.
Only the ghosts that turn
heaven upside down.
-Byron Hoot
I wonder how the gravestones
have worn in that cemetery
in Rising Son, behind
The Church of the Brethren.
Mom and Dad and his parents,
two sets of Reverend and Missus
Hoot. There’s cornfields and woods
and deer trails across the graves,
the granite holding minerals
the deer try to pry loose with
their tongues. I wonder if the deer
see the ghosts – the ones content
to be where they are, the others
in a disarray of time and place,
the refusal of acceptance. I have
not visited in years and worry
about remembering how to get
there. In my heart it’s just a step
away – the casket, the preacher,
the living and the dead, the drive
away, the look back. The corn
and trees and wind.
-Byron Hoot
I fear my grandchildren are beyond
the redemption of the hunt.
Which worries me.
They may never know the primal truths
that hone a soul to be a person –
hard enough but more so when removed from trees
and hills and stream, learning game,
reading sign.
All necessary to being better today than yesterday.
Lessons that can be taken in.
I hunt and fish religiously.
In ways sacred, where knowing and honoring
and deciding in a split-second matter
as the metaphysical realities they are.
Metaphors full of meaning the wilds give
what no cities can. I worry what kind of stories
my grandchildren will tell sitting around a fire.“Not my will but thine,” I hear in an echo of a dream where a woman is brushing sand off my back, her nipples pressed against it, saying, “...